Why the Male Domination at Art Basel?

June 23, 2010

Last Friday, Lindsay Pollock, always a sharp observer of the global art market, noted the discouraging absence of female artists at Art Basel this year. She uncovered what at first glance is a surprising statistic: of the fair’s forty most exhibited artists, not a single woman could be found.

Provocatively and a bit rhetorically, she poses the question, “Is Art Basel a manfest?”

Lately we’ve spent a lot of time finalizing Skate’s Top 5000 – our ranking of the 5,000 most expensive works of art ever sold at auction. After reading Lindsay’s article, we decided to take a closer look to see whether the dealers at Art Basel were exhibiting sexism or whether, as we suspect, they were simply reflecting the state of the global art market with no other aim than to satisfy collectors’ demands and, in the process, make a few bucks (or a few million bucks).

What we found confirmed our suspicions on some levels and surprised us on others. Art Basel does in large measure reflect what thousands of auction records have told us over the past several decades: works by male artists are in far greater supply and sell for far higher prices than works by female artists.

Yet among the forty most exhibited artists, there were eleven whose market performance to date has been mediocre at best. Plenty of females have performed better in the marketplace than these eleven males.

To see the data, please download the Appendix (Adobe reader required).


A Buyer’s Frenzy In Hong Kong: Highlights From ART HK10, Christie’s And Ravenel

June 1, 2010

Hong Kong Has Established Itself As Asia’s Arts, Wine, Jewelry Hub As New Chinese Collectors Make Strong Impact

Last week, Jing Daily covered the Hong Kong International Art Fair (ART HK10) and the Christie’s Spring Auctions in Hong Kong, both of which we expected to attract an impressive number of participants, artists, galleries and art collectors. Over the course of the weekend, anyone questioning whether the Chinese auction market’s red-hot recovery had any teeth had good reason to put those concerns to rest. Along with the Ravenel Spring Auction, which took place yesterday and took in a grand total of US$8,749,372, the figures that came out of the wide-ranging Christie’s Spring Auctions speak for themselves: – Chinese contemporary photography continuing to impress, with Hai Bo selling for double estimates, showing that Chinese collectors are becoming a force to be reckoned with in Chinese photography. – The “Finest and Rarest Wines” auction 94% sold by lot. (including the “Liquid Gold Collection” of Château d’Yquem, which sold for just over US$1.03 million — making it the most expensive wine lot ever sold by Christie’s globally.) – A large Zeng Fanzhi “Mask Series” piece sold for a whopping US$2.5 million, five times over its 2007 price, and contemporary pieces by artists like Yue Minjun and Zhang Xiaogang (who sold for over 3x high estimates) continued their upward momentum. – Several works by Zao Wou-Ki sold for a combined US$43 million. – The Mary and George Bloch Collection of rare Chinese snuff bottles sold 100% and achieved world record prices. – “String Quartet” by Chinese 20th Century artist Chen Yifei broke a world record, selling for HK$61.1 million/US$7.85 million. – A set of Andy Warhol “Mao” prints sold to a (likely mainland Chinese) phone bidder for almost US$1 million. Hong Kong’s auction market is clearly one of the most active and important in the world at the moment, and its internationalization has been surprisingly rapid and robust, even attracting a growing number of western collectors

To read the full post, please visit Jing Daily.


A Sotheby’s Challenger? MCH Group, Owner of Art Basel Fairs, to be Included in Skate’s Art Stocks Index

April 26, 2010

Last week Basel and Zurich-based MCH Group published its annual report for 2009. The firm endured its second consecutive year of declining revenues, EBITDA and net profits, and although it complained about the negative economic outlook, it did express general satisfaction with its financial results given that its core products – Baselworld (watches and jewelry) and the two Art Basel fairs (in Basel and Miami Beach) – did very well in adverse market conditions. This sounds familiar, right? When stocks and bonds were all in turmoil, art and gems preserved their value quite well. Things look similar with Switzerland’s largest exhibitions and events management firm.

At first glance, MCH Group is a strange choice for an art industry stock. The firm calls itself a “global live marketing” business, and none of its management or board members has a background in the art world; luxury goods is as close as it gets (absence of art world background applies to management of MCH Group as a whole; the management team at the Art Basel fairs has impeccable art world credentials). Although the firm has made an effort to diversify in a number of directions – from purchasing and building more exhibition space to offering all kinds of products and services within the field of events management – these attempts have not really worked so far. MCH Group’s exhibitions contribute to a growing percentage of the company’s operating income, 73% in 2009 versus 67% in 2008. Excluding consumer shows, Art Basel and Art Basel Miami Beach are the 2nd and 3rd largest events in terms of number of visitors for MCH Group. And the #1 MCH Group event in terms of visitors (excluding consumer shows) is Baselworld, which has a largely similar end-customer base as the art market.

Given the towering presence of events serving the art market in MCH Group’s top-line and bottom-line financials, as well as the growing importance of Art Basel as an art marketplace, we have decided to treat MCH Group as an Art Stock going forward….

To read the full article, please visit Skate’s Art Market Research.


Excitement at Frieze: Francis Bacon Sale to Highlight 2009 Fair

October 9, 2009

On October 8, Bloomberg ran a story on the Frieze Art Fair in London that will preview next Wednesday and open officially on Thursday and run through Sunday. Always a major event in the art world, this year’s Frieze Art Fair will be a big test to see whether the art market is definitely in a state of recovery.

One major event to follow at Frieze this year is the sale of Francis Bacon’s Study from the Human Body after Muybridge (1988), which is expected to fetch USD 9 million. Following a major valuation step-up at the height of the recent art market boom of 2007-2008, Francis Bacon currently has 44 works in Skate’s Top 1000, and he is listed as Skate’s 5th most valuable artist overall with a market capitalization in our ranking of USD 636,110,982. Below we present two tables containing peer groups of Bacon works; the first covers his “Human Body” paintings and the second his works that have sold in a similar price range of USD 8-10 million.

Exhibit 1 – Peer Group for Francis Bacon’s “Human Body”

Work Sale date Premium price, USD
Study from the Human Body, Man Turning on the Light 14.10.2007 16,465,701
Studies of the Human Body 08.05.2001 8,585,750

Exhibit 2 – Peer Group for Francis Bacon (USD 8-10 million)

Work Sale date Premium price, USD
Portrait of George Dyer staring into a mirror 23.06.2005 8,994,169
Study from Portrait of Pope Innocent X by Velazquez 08.02.2006 9,016,584
Self-portrait 08.02.2006 9,016,584
Landscape with car 20.06.2007 8,490,853
Studies of the Human Body 08.05.2001 8,585,750

Source: www.skatepress.com

More interesting than yet another entry by Bacon into Skate’s Top 1000 (entry is subject to disclosure of any sales commissions) is the greater market context – the fact that Study from the Human Body after Muybridge is being sold at an art fair rather than at auction. Twenty-one works of art have been sold for more than USD 8 million in 2009, all of them taking place during last spring’s auctions. The fact that the Pavilion of Art & Design London fair, the satellite to the Frieze Art Fair where the Bacon painting will be offered, will carry the highest-valued sale yet this fall very likely serves as another reminder of just how much the market has turned toward the buyer – regardless of what happens later this fall at the major art auctions. Buyers to a certain degree remain skittish about what they perceive as still high auction house estimates and the high premiums that come on top of hammer prices. It is quite possible that dealers have recognized this and will continue to find ways of offering high caliber works like Study from the Human Body after Muybridge at art fairs, which present fewer transaction costs. It is a trend worth following.

As for the dealer side, in the words of Gerard Faggionato, the London-based dealer offering the Bacon work who is quoted in the Bloomberg story, “There’s been a change from galleries asking who they want to sell to, to collectors asking who they want to buy from… People will wake up next week. Everybody’s waiting to see what will happen.”


Follow

Get every new post delivered to your Inbox.

Join 291 other followers