artnet Results Disappoint, Minority Shareholder Increases Ownership Interest

November 3, 2011

artnet has released its financial results for nine months ending September 30, 2011. They are disappointing. The firm continues to be loss making, revenues remain flat and artnet’s major hope, online art auctions, produced just 12.8% growth on a y-t-y basis and remains its second largest loss making business unit (after its magazine publication business). Perhaps the only interesting new development at artnet came from its mandatory disclosure on changes in significant shareholdings; the company’s long-term minority investor—San Francisco-based Artis Capital Management LLC—doubled its ownership interest in artnet over the course of 2011 and now owns 15.13% of the firm.

Skate’s believes that artnet under Hans Neuendorf’s leadership is reaching a point where significant change might be needed, which could be stimulated by the rise of a potential activist shareholder. We met Mr. Neuendorf this week and learned that apart from a new analytics product launch the firm is planning for this December, everything else remains business as usual at 61 Broadway.

Please click here to read the full article.


Citibank Initiates Coverage of Sotheby’s, Names Skate’s Among Research Partners

October 19, 2011

Skate’s is pleased to announce that Citibank, specifically the Citigroup Investment Research division, has recently launched investment coverage of Sotheby’s (NYSE:BID). This marks the first time that this leading financial institution has devoted specific coverage to Sotheby’s.

Citi’s coverage of Sotheby’s is welcome on several levels. First, it provides further acknowledgement of a reality that Skate’s has long espoused, i.e., that art and the securities of companies that provide art-related products and services afford institutional and individual investors with a viable alternative asset choice. Second, as the largest publicly-traded art industry company in the world, the high liquidity of Sotheby’s shares allows investors an excellent opportunity to invest in a leading participant in the art market without the costs and risks involved in actual art ownership.

Authored by Oliver Chen, CFA, and Kate McShane, CFA, Citi’s research on Sotheby’s—written according to top Wall Street standards—offers a refreshing and professional analysis of the auction house business model and its upside potential. Skate’s fully welcomes any research and analysis from major financial institutions focused on the art industry. Although we remain a bit more bullish about Sotheby’s, we find Citi’s analysis extremely interesting. Citi’s initiation of Sotheby’s coverage is a very healthy event for the global art industry.

Please click here to read the full article.


First October sales results: Christie’s triumphs in contemporary art; Sotheby’s dominates Italian sales

October 18, 2011

Of all the contemporary sales that took place in London during the week of the Frieze Art Fair, Christie’s results most certainly place the auction house in the leading position. The results of Christie’s evening sale on October 14, which saw a total trading volume of $59,896,712, were double those of its closest follower Sotheby’s, which brought $28,028,014 in sales. Nearly half of Christie’s lots sold above their estimate ranges, with the most impressive result of the week achieved by German artist Gerhard Richter’s Kerze (Candle). With a record-setting final price of $16.5 mln, it sold well above its pre-auction high estimate of $14 mln. The previous record for a work by Richter was set by another Kerze (Candle), which sold at Sotheby’s in 2008 for $15.7 mln.

Along with contemporary sales, the two leading auction houses also held sales of Italian art. The Italian sale turned out to be more successful for Sotheby’s, and its results even exceeded those of its contemporary evening sale. Sotheby’s Italian sale totaled $34,085,892, slightly more than the $27,652,992 that was achieved at Christie’s. It is worth noting that many lots significantly exceeded their estimates and entered Skate’s Top 5000, which currently has a threshold price of $2 mln. Of the 14 total works that entered Skate’s Top 5000 in October, six were by Italian artists.

To read the full article with data, click here.


Collectibles: Even Better Than Art Following Noble Investments’ Inclusion into Skate’s Art Stock Index, Three Art Industry Stocks Now Represent Collectibles Category

September 20, 2011

Following the overhaul of Skate’s Art Stock Index (SASI) conducted on September 1, 2011 and announced the day before (click here for story) the index now has three companies representing the collectibles category. Collectors Universe and Noble Investments operate predominantly in the numismatics sector, and Stanley Gibbons primarily covers stamps. Following all three companies’ recent six months financial reporting (Collectors Universe reported annual results as its fiscal year ends on June 30), we provide a comparative analysis that shows each company with an enviable business model that generates a strong cash flow despite continued global economic turbulence.

To read the full article with data, click here.


Understanding Abbey House: Specialty Retail Play Focused on Rapidly Growing Class of Eastern European High Net Worth Consumers

August 30, 2011

On May 5, 2011, Skate’s added a relatively new firm–Poland’s Abbey House (established in 2010)–to Skate’s Art Stock Index. On August 16, 2011, Abbey published its six months financial results, the first public financial disclosure since it listed on the Warsaw Stock Exchange earlier this year. We have studied Abbey House and researched its business model, and in this issue of Skate’s Market Notes we discuss our findings.

To read the full article with data, please click here.


Artprice’s Share Re-pricing: Bubble or a Strong Investment Case in the Making?

August 24, 2011

For years at Skate’s we have been consistently suspicious of Artprice, the French art market data provider and classified listing service for galleries (click here for Skate’s coverage of Artprice). This summer, however, quite a few of our readers have contacted us to ask that we reconsider our views, citing spectacular share price performance and volumes dynamics at Artprice. They did have strong arguments to disagree with our skeptical view of Artprice, whose stock saw a massive upward re-pricing in early April from USD 11.70 on April 6 to USD 40.90 on April 13 (converted to USD from EUR, which is Artprice’s base trading currency). It has remained at these new levels since then following yet another jump in late May, with no correlation whatsoever with either the market’s overall performance measured by the S&P 500 or with the industry as measured by Skate’s Art Stock Index benchmark.

To read the full article with data, please click here.


artnet: Back to Red, Auction Volume Flat against Sotheby’s 27% Same Period Growth, Price Database Profitability Down by 40%

August 15, 2011

artnet has reported its six months’ financial results, and, unlike the Sotheby’s numbers that we commented on last week (see Sotheby’s report), its performance is disappointing. Revenue fell to the sum reported in the same period of last year, the firm returned to a net loss and its bet to grow on the back of its online auction offering is not (yet) working.

For more than three years, artnet has consistently said that while it faces declines in gallery membership and information sales, the firm’s growth should come from the online auction business unit that it launched a few years ago. Unfortunately for artnet, the timing for the online auction launch largely coincided with the global economic meltdown of 2008, and the company’s management asked for the benefit of the doubt on the question of whether its online art trading would prosper once economic recovery resumed.

To read the full article with data, please click here.


Sotheby’s Six Month Report: Strong Results Lead to Astonishing Cash Numbers with Private Sales Becoming the Fastest Growing Line of Business; Dutch Exit and China Acquisition; Strong Buy Rating from Skate’s

August 10, 2011

Since last year, Skate’s has argued that it would make considerable sense for Christie’s to go public in 2011 given the generous valuation multiples in the art industry. The momentum, at least for this year, has been lost for Christie’s, as recent global stock market turbulence coupled with a stream of IPO cancellations have made it clear that investors’ appetite for new deals has fallen significantly. Francois Pinault was apparently unable to jump on the IPO bandwagon last year given the previously planned departure of Edward Dolman, the CEO of Christie’s for over 10 years who announced his move to the Qatar Over the past several weeks, a rollercoaster ride on global equity markets has taken investors’ attention away from news on individual companies and resulted in a massive sell-off of shares across the board. Although the impact of S&P’s U.S. debt downgrade and continued European debt troubles have yet to be fully digested by the market, now is a good time to revisit the fundamentals and take a closer look at the financial results of the major companies that make up Skate’s Art Stocks Index.

In this issue of Skate’s Market Notes, we will profile Sotheby’s, which published its second quarter and first half results on August 3 (the full report can be found at Skate’s Art Stocks & Funds section at www.skatepress.com).

To read the full article with data, please click here.


New Star in the Global Art Industry Rises from the East (Expect IPO in 2012) or How the Chinese People Liberation Army Built the World’s Third Largest Auction House in Just 6 Years

July 26, 2011

Since last year, Skate’s has argued that it would make considerable sense for Christie’s to go public in 2011 given the generous valuation multiples in the art industry. The momentum, at least for this year, has been lost for Christie’s, as recent global stock market turbulence coupled with a stream of IPO cancellations have made it clear that investors’ appetite for new deals has fallen significantly. Francois Pinault was apparently unable to jump on the IPO bandwagon last year given the previously planned departure of Edward Dolman, the CEO of Christie’s for over 10 years who announced his move to the Qatar Museums Authority earlier this summer. Christie’s is now unlikely to entertain any plans for an IPO in the immediate future as it digests the leadership change. The only art industry firm that benefited from the great window of opportunity was Poland’s Abbey House, which successfully listed in Warsaw in May, as well as Switzerland’s MCH Group, which completed a new issue this summer.

There is an interesting new story to tell, however, as Skate’s has learned that the next art industry IPO will take place in China and will be made by Poly International Auction. Should the IPO take place as we expect, it would create the world’s second largest publicly traded art industry company after Sotheby’s.

To read the full article with data, please click here.


Lucian Freud—Previously the World’s Third Most Valuable Living Artist—Passed Away on July 20. Freud Now Ranks #30 in the Pantheon of World’s Most Valuable Artists

July 25, 2011

Three of the World’s Ten Most Valuable Living Artists are Now Chinese

Scarcely two weeks after the death of Cy Twombly, another living artist—Lucian Freud—has passed away. Both artists saw an extraordinarily successful final auction season that relentlessly pushed their names up the value chain of the global art market’s premium segment. At the time of Twombly’s death, he was the world’s 6th most valuable living artist. Lucian Freud, who was 88 when he passed away, was the 3rdmost valuable living artist . Freud now ranks as the 30th most valuable artist based on nominal auction prices.

To read the full article with data, please click here.


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